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Widely considered by many as the song that holds the key to Maelo’s myth. This song tells a story of healing, faith, friendship, and blackness centered on his devotion for the Black Christ of Portobelo, Panama—a faith Maelo embraced in 1969 amidst his struggles with addiction. Our version here hovers around G minor, expanding on some of the elements from the original arrangement.

credits

from Sonero: The Music of Ismael Rivera, released August 30, 2019
Miguel Zenón - alto saxophone, arranger
Luis Perdomo - piano
Hans Glawischnig - bass
Henry Cole - drums

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about

Miguel Zenón New York, New York

Saxophonist/Composer/Educator born and raised in San Juan, Puerto Rico and living in NYC. Multiple Grammy Nominee, Guggenheim and MacArthur Fellow.

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